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View source →Pablo Picasso, 1901
Medium
Oil on canvas
Dimensions
150 × 90 cm (59.1 × 35.4 in)
Style
Symbolism
Decade
1900s
Evocation (The Burial of Casagemas) is a profound oil painting created by Pablo Picasso around 1901, measuring 150 by 90 centimeters, and housed in the Musée d'Art moderne de Paris. The vertical composition portrays the dramatic and sorrowful aftermath of the death of Picasso's close friend, Carles Casagemas. The canvas is dominated by sombre, melancholic tones that foreshadow the stylistic emergence of the Blue Period. Figures gathered in grief surround the shrouded or ascending form of the deceased, evoking a powerful religious and allegorical atmosphere reminiscent of traditional entombment iconography. The elongated, expressive forms and heavy, somber palette convey an intense emotional weight. Through stark contrasts between figures of mourners and spiritual ascension, the painting visually encapsulates grief, mourning, and mortality. Picasso employs sweeping brushwork and a solemn chromatic range to transform a personal tragedy into a universal meditation on human suffering, loss, and the haunting presence of death in early twentieth-century avant-garde art.
Evocation (The Burial of Casagemas) was painted in 1901 during a pivotal turning point in Pablo Picasso’s life and career, directly catalyzed by the suicide of his intimate friend Carles Casagemas in February 1901 in Paris. The tragedy profoundly traumatized the young artist, plunging him into a deep psychological crisis that permanently redirected his aesthetic vision. This painting, along with related works such as La Vie, reflects Picasso's early grappling with mortality, unrequited love, and existential despair, marking the genesis of what would become his celebrated Blue Period. Originally acquired by legendary art dealer Ambroise Vollard's estate in 1950 and later entered into the collection of the Musée d'Art moderne de Paris, the work bridges late-nineteenth-century Symbolism with the burgeoning modernist idioms of twentieth-century Paris. It serves as both a private memorial to a lost companion and a foundational masterpiece that inaugurated Picasso's lifelong exploration of human grief and existential vulnerability.
Musée d'Art moderne de Paris, Paris, France
Public Collection — Open to visitors
Visit museum website →Collection record status
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2026 Estimated Value
Public collection / market value not asserted
* Estimates are based on comparable auction results and market analysis. Not a formal appraisal.
Last Known Sale
No public auction record — held in permanent museum collection
Continue Exploring
Chosen for shared style, era, medium, subject, or date.

La Vie
1903 · same style · same era
The Death of Casagemas
1901 · same era · similar medium

Self-Portrait (Blue Period)
1901 · same era · similar medium
The Absinthe Drinker (Hermitage)
1901 · same era · similar medium
Seated Harlequin
1901 · same era · similar medium
Two Sisters (The Meeting)
1902 · same era · similar medium
If you love this blue period masterpiece, explore these curated books and resources on Amazon.
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The Cubist Epoch by Douglas Cooper
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Blue Period Collection Prints
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