Pierrot (1918) — Pablo Picasso | Picasso: 500 Masterpieces
Gallery/#258Pierrot
Pablo Picasso
Pierrot
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Neoclassical Period#258 of 500

Pierrot

Pablo Picasso, 1918

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Technical Details

Medium

Oil on canvas

Dimensions

92.7 × 73 cm (36.5 × 28.7 in)

Style

Neoclassicism

Decade

1910s

About This Work

Painted during the summer of 1918 in Biarritz, where Pablo Picasso spent his honeymoon with his newly wedded wife Olga Khokhlova, Pierrot stands as a pivotal transitional work bridging the artist's Cubist experiments and his emerging engagement with figurative classicism. The painting portrays the iconic theatrical character of Pierrot from the commedia dell'arte tradition, rendered with a restrained yet expressive palette and solid modeling of form. Unlike the fragmented, deconstructed planes of his earlier Cubist figures, this composition emphasizes volumetric clarity, structural poise, and psychological introspection. The melancholic, introspective posture of the figure and the starkly articulated costume reflect Picasso's fascination with theatrical performance, masking, and personal identity. Through careful brushwork and balanced compositional geometry, the canvas captures both the solemnity of the subject and the refined artistic direction that defined Picasso's output during the late 1910s and early 1920s.

The creation of Pierrot in 1918 coincides with a transformative period in Picasso's personal and professional life, marked by his marriage to Olga Khokhlova and his deep involvement with Sergei Diaghilev's Ballets Russes. Having designed groundbreaking sets and costumes for theatrical productions in Rome, Madrid, and Paris, Picasso developed a sustained artistic engagement with the commedia dell'arte and classical figuration. Figures like Pierrot, Harlequin, and Punchinello served as recurring alter egos for the artist, allowing him to explore themes of alienation, performance, and melancholy. Originally acquired through the Stephan Bourgeois Gallery in New York, the painting entered the collection of noted American philanthropist and art patron Sam A. Lewisohn. Following Lewisohn's passing, the work was bequeathed to The Museum of Modern Art in 1952, securing its permanent place in public view as a testament to Picasso's mastery during the birth of his Neoclassical period.

Current Location

The Museum of Modern Art, New York, United States

Public Collection — Open to visitors

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Collection record status

manual_institutional_review.

Source-linked entry contains a provenance or acquisition statement; full ownership-chain claims remain limited to the cited institution.

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Valuation & Provenance

2026 Estimated Value

Public collection / market value not asserted

* Estimates are based on comparable auction results and market analysis. Not a formal appraisal.

Last Known Sale

No public auction record — held in permanent museum collection

Keywords

neoclassicismpierrotbiarritzballets russespaintingmoma

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